Abstract Khalid Thompson talks about his childhood in Richmond, Virginia, where southern hospitality is juxtaposed to the reality of historical and current social injustices. He reflects on visiting Washington D.C. in the early 2000s, learning about the underground visual and sonic arts, and moving to the District. He then moves and works as a bike messenger, really getting to know the city, including artists who make experimental arts, outside of the “norm”. Following encouragement from family and...