Khalid Thompson talks about his childhood in Richmond, Virginia, where southern hospitality is juxtaposed to the reality of historical and current social injustices. He reflects on visiting Washington D.C. in the early 2000s, learning about the underground visual and sonic arts, and moving to the District. He then moves and works as a bike messenger, really getting to know the city, including artists who make experimental arts, outside of the “norm”. Following encouragement from family and newfound artistic community (including Rhizome musician Aaron Martin, Luke Stewart, Layne Garrett), Khalid begins to draw again, then paint, while listening to jazz and improvised music and performing alongside local musicians. He reflects on self-expression through art, while incorporating movement and presence in the moment into the philosophy of his educational practice. He speaks on the power of hosting “Painting the Moment” workshops at Rhizome DC and the welcoming reception from the community. Khalid concludes the interview with thoughts about the future of Rhizome and the experimental arts community in the District.