Abstract

This collection includes websites covering the history and current events of the Go-Go scene in Washington, D.C.

Content Description

This collection contains transcripts of interviews conducted by Kip Lornell and Charles Stephenson as part of the research for their book "The Beat: Go-Go's Fusion of Funk and Hip-Hop." The materials document the evolution of Go-Go performers and sound; as well as the cultural and political role the music plays in Washington, D.C.

Scope and Contents

Collection consists of research materials including notes and field recordings, photographs, clippings from periodicals, and ephemera documenting go-go music and culture in the Washington, DC metropolitan area gathered by Hopkinson. The collection also includes material written and published by Hopkinson.

Abstract

Ms. Earls discusses growing up in D.C., mostly in Shaw, her early sense of herself as different and coming into her gender and sexuality, the importance of dancing and performance to her from an early age, her struggle with addiction and time in prison, go-go and hand dancing, being in the National Museum of African American History, remembering everyone who has passed and her thankfulness for living to such an age.

Content Description The Chip Py Go-Go Collection consists of 1,900-plus individually composed and artistically rendered images of concert performances of Chuck Brown, the 'Godfather of Go-Go'; and other individuals and bands, including Rare Essence, Backyard Band, Familiar Faces, Suttle Thoughts, BE'LA DONA, and Da Mixx. The photographs were taken by Chip Py, personal photographer to Chuck Brown, between 2010 and 2020. The bulk of the collection dates from 2010-2014. The collection documents the importance of...

Scope and Contents

In this interview, Erica Childs, known professionally as Zombie, discusses their childhood and connection to music, life in D.C., Go-Go scene and radio show. Involvement with Anthology of Booty, Girls Rock D.C., DJing and party hosting, and connections to political work. They also talk about how Go-Go is treated in D.C. and how the scene has evolved.