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Everett Williams interview, 2022-06-14

 Item
Identifier: dcpl_dcohc041_02.wav

Scope and Contents

From the Collection:

D.C. Oral History Collaborative (DCOHC) is a citywide initiative to train community members in oral history skills, fund new and ongoing oral history projects, connect volunteers with oral history projects, and publicize existing oral history collections. DCOHC is a project of DC Public Library, HumanitiesDC, and the Historical Society of Washington, D.C. This collection contains oral history interviews, transcripts, and indexes produced by DCOHC grantees.

Dates

  • Creation: 2022-06-14

Creator

Biographical / Historical

Everett P. Williams Jr. is minister of music for Asbury United Methodist Church in Washington, D.C. Born in Yakima, Washington, he grew up the son of a Black Methodist preacher (the late Rev. Everett P. Williams Sr.) in majority white communities in Washington state and northern California. A church choir director at age 11, classically trained in piano from an early age, self-taught on the organ, his first paid position came at Mount Zion Baptist Church during his student years at the Oberlin Conservatory of Music. His degrees from Oberlin certified him to teach as well as to perform and he embarked upon a career as an actor, composer, teacher at the university and public-school levels, performance artist including music made with the E.P. Williams Ensemble and a solo CD recording released in 2016, as well as 60 years of service accompanying and directing choirs and musical arts programs across the country. After visiting Washington, D.C. as a college student he moved to the District in 1981, lived three years in Washington and later bought his first home in Montgomery County, Maryland, where he resided at the time of the interview.

Extent

From the Collection: 1.13 Terabytes

Language of Materials

English

Abstract

Everett P. Williams Jr. discusses growing up musically gifted, starting a career in music during his studies at Oberlin Conservatory of Music and subsequent experiences that led him to his role as minister of music at Asbury United Methodist Church in D.C. Mr. Williams talks about Washington, D.C. from 1981 up to the time of the interview (2022), particularly as a center of culture, the impact of COVID on Asbury United Methodist Church and his role in the church’s response, reactions to the Black Lives Matter movement in Washington, D.C., current challenges to the Black urban church and to the United Methodist Church, and the need for inclusiveness.

Repository Details

Part of the The People's Archive, Martin Luther King, Jr. Memorial Library Repository

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