Sarah Hughes interview, 2021-07-02
Scope and Contents
D.C. Oral History Collaborative (DCOHC) is a citywide initiative to train community members in oral history skills, fund new and ongoing oral history projects, connect volunteers with oral history projects, and publicize existing oral history collections. DCOHC is a project of DC Public Library, HumanitiesDC, and the Historical Society of Washington, D.C. This collection contains oral history interviews, transcripts, and indexes produced by DCOHC grantees.
Dates
- Creation: 2021-07-02
Creator
- Hughes, Sarah (Person)
Language of Materials
English
Biographical / Historical
Sarah Hughes is a musician and visual artist. She plays the saxophone, flute, and clarinet and also creates on the guitar and piano. Sometimes, she utilizes electronics to create underwater whale mermaid music. Sarah occasionally plays jazz music, but only when playing over blues, simple standards, modal tunes, or free jazz. As a visual artist, Sarah creates abstract works from acrylic and watercolor paint and ink drawing. Sarah received her training in classical saxophone performance from Dale Underwood at the University of Maryland from 2004 - 2008 and earned a BME in music education. She received a MM in Jazz Saxophone Performance from the New England Conservatory in Boston where she studied with Jerry Bergonzi, Donny McCaslin, Ran Blake, Anthony Coleman, and Ben Schwendener.
Extent
From the Collection: 1.13 Terabytes
Abstract
Sarah Hughes reflects on growing up in Maryland and starting to play the saxophone at the age 9, inspired by a musical family and early exposure to live jazz performances. She Remembers her development as a jazz musician and interest in improvisation. When she starts to attend the New England Conservatory, she builds new skills in the music and meets many inspiring and challenging peers and mentors. After returning to Baltimore, she starts to play music with DMV improvising musicians, including some regulars from Rhizome DC community. She reflects on her first performance at Rhizome and how playing in the house has always proved to have the most attentive audience- a good listening room. She hosted a 24-hour improvisation session at the house, where community was invited to play music, paint, have food together. She also held many confessional performances, dealing with difficult personal issues in the form of improvisation with saxophone and built instruments at Rhizome DC. Sarah talks about her first solo visual art exhibition at the space and hopes to continue to be involved as closely with this friendly and giving community.
Repository Details
Part of the The People's Archive, Martin Luther King, Jr. Memorial Library Repository